Clement Virgo approaches discussions about his latest film, “Steal Away,” with a mix of nervousness and hope. Despite his impressive track record with projects like “The Wire” and “The Book of Negroes,” Virgo admits to feeling uncertain about how his new film will be received by a broader audience.
Collaborating with his wife, author Tamara Faith Berger, Virgo crafted a futuristic adaptation of a 15-year-old girl’s escape to Canada through the Underground Railroad. Unlike the historical setting of “Steal Away Home,” “Steal Away” envisions a futuristic America, avoiding direct portrayals of enslaved individuals to steer clear of perpetuating bleak depictions of Black futures.
The film centers on Cécile and Fanny, navigating a complex narrative that blends coming-of-age, psychosexual thriller, horror, and Afrofuturism influences. Virgo deliberately blurs the time period and power dynamics in his storytelling, drawing parallels between different historical eras to emphasize the cyclical nature of progress and setbacks.
“Steal Away” also reflects Virgo’s personal evolution, questioning the permanence of progress amid societal pushbacks. Despite the film’s intricate themes and challenging narrative, Virgo remains hopeful, emphasizing the importance of resilience and collective effort in shaping a better future.